Take comfort in the fact that this amplifier is covered by a 5 Year Transferable Warranty from Fender.

With a powerful 40 watt class D power amp and ported speaker housing, this amp produces loud loudness and rich bass response while remaining incredibly lightweight (18 pounds).

Private practice using the 1/8 "a speaker output jack and a headphone output.

Simply connect your MP3 player to the 1/8" jack to play your favorite music "Auxiliary input jack and immediately join the group.

With the newly created overdrive circuit and switchable contour settings, you may expose bass tones ranging from vintage gritty growl to slap-worthy modern punch.#

All five of the Fender Rumble combos indicated in the headline were put to an audition in my home. I required two amplifiers; the first had to sound wonderful at all volume levels for practice at home and perhaps for playing on stages or in churches. My acoustic mates and I like to jam on the road with the second amp. Because acoustic artists, including myself, are skeptical of amplifiers, this one requires good sound to come from the smallest possible box and strong full tone at low level. I decided on the 100 and the 25, but the 40 amps would be my first choice if I could only afford one. Here is a summary:Incredible sound and volume, but WAY too much amp for house use, at 200. Even at modest power, 140 watts to the speaker, it rattled my brain even more. At the lowest, "domestic" volume, the enormous 15" speaker sounds mushy, which is not the case with the other amps. This is probably a fantastic stage amp for a medium-sized or larger venue, but it's not for your home.100 - Fantastic sound, still a lot more amplifier than I need at home, but it produces a lovely tone and sounds wonderful at low volumes. has four tone controls, gain, adjustable overdrive, and the same settings as the 200 and the 40. (bass, low-mid, high-mid, and treble). Three filter options: "bright" and "vintage" together are my favorites. I don't like the muted tone of "Contour," and I rarely use the overdrive (although I bought the foot switch, just for fun). This amp is one to keep.40 - A nice, large, complete sound. It sounds identical to the 100 at low and medium volumes, so I could have easily chosen this as my main amplifier. Similar restrictions are used for the 100 and 200.25 - Excellent sound from a little box, but significantly inferior to the 40. The only filters are contour and a non-adjustable overdrive, neither of which I like, and there is no gain control, only three tone settings (bass/mid/treble), as opposed to four. But with the tone controls, I get a beautiful, warm sound, and—this is crucial—the low-B on my five-string guitar sounds good. This tiny amplifier has a powerful bass! For my acoustic jam sessions, I'm keeping this one.15 - It's the sole dud in the lineup and is simply not good enough. Small and brittle, it crackles and pops at greater volumes, and it is completely incapable of handling the low-B string. This would be acceptable if you only needed a very small box and only played at a very low volume, but pay the extra $20 and get the 25.I gave the Rumble 15 two stars. The rest all receive five stars and are all excellent amps at reasonable prices. The 200, which costs $150 more than the 100 but only provides 40 more watts to the speaker, might be the exception to this rule. However, that speaker has a 15-inch diameter as opposed to the 12-inch on the 100, so you might find it worthwhile. The 25 is without a doubt the best value because it offers outstanding sound for under $100 and a compact packaging.With the 100 and the 25, I'm a happiest man in the world. You actually don't need more than the 40, though, for rehearsing, jamming, and small venues.One piece of advice: only purchase an amplifier—or any other instrument—if you can test it out and return it. If not for the fantastic return policy at my music store, I would have been stuck with the 200. The only expense I incurred was $18 to ship the Rumble 15 back to Amazon after trying five amps and returning three.October 2018 update: Since purchasing a Fender Rumble Studio 40 in the spring, this amp has become my go-to. Excellent sound (see my rating), and I adore the countless amp type and voice options.

Take comfort in the fact that this amplifier is covered by a 5 Year Transferable Warranty from Fender.

Private practice using the 1/8 "a speaker output jack and a headphone output.

With the newly created overdrive circuit and switchable contour settings, you may expose bass tones ranging from vintage gritty growl to slap-worthy modern punch.

With a powerful 100 watt class D power amp and ported speaker enclosure, this amp produces loud loudness and rich bass response while remaining incredibly lightweight (just 22 pounds)!

Simply connect your MP3 player to the 1/8" jack to play your favorite music "Auxiliary input jack and immediately join the group.#

All five of the Fender Rumble combos indicated in the headline were put to an audition in my home. I required two amplifiers; the first had to sound wonderful at all volume levels for practice at home and perhaps for playing on stages or in churches. My acoustic mates and I like to jam on the road with the second amp. Because acoustic artists, including myself, are skeptical of amplifiers, this one requires good sound to come from the smallest possible box and strong full tone at low level. I decided on the 100 and the 25, but the 40 amps would be my first choice if I could only afford one. Here is a summary:Incredible sound and volume, but WAY too much amp for house use, at 200. Even at modest power, 140 watts to the speaker, it rattled my brain even more. At the lowest, "domestic" volume, the enormous 15" speaker sounds mushy, which is not the case with the other amps. This is probably a fantastic stage amp for a medium-sized or larger venue, but it's not for your home.100 - Fantastic sound, still a lot more amplifier than I need at home, but it produces a lovely tone and sounds wonderful at low volumes. has four tone controls, gain, adjustable overdrive, and the same settings as the 200 and the 40. (bass, low-mid, high-mid, and treble). Three filter options: "bright" and "vintage" together are my favorites. I don't like the muted tone of "Contour," and I rarely use the overdrive (although I bought the foot switch, just for fun). This amp is one to keep.40 - A nice, large, complete sound. It sounds identical to the 100 at low and medium volumes, so I could have easily chosen this as my main amplifier. Similar restrictions are used for the 100 and 200.25 - Excellent sound from a little box, but significantly inferior to the 40. The only filters are contour and a non-adjustable overdrive, neither of which I like, and there is no gain control, only three tone settings (bass/mid/treble), as opposed to four. But with the tone controls, I get a beautiful, warm sound, and—this is crucial—the low-B on my five-string guitar sounds good. This tiny amplifier has a powerful bass! For my acoustic jam sessions, I'm keeping this one.15 - It's the sole dud in the lineup and is simply not good enough. Small and brittle, it crackles and pops at greater volumes, and it is completely incapable of handling the low-B string. This would be acceptable if you only needed a very small box and only played at a very low volume, but pay the extra $20 and get the 25.I gave the Rumble 15 two stars. The rest all receive five stars and are all excellent amps at reasonable prices. The 200, which costs $150 more than the 100 but only provides 40 more watts to the speaker, might be the exception to this rule. However, that speaker has a 15-inch diameter as opposed to the 12-inch on the 100, so you might find it worthwhile. The 25 is without a doubt the best value because it offers outstanding sound for under $100 and a compact packaging.With the 100 and the 25, I'm a happiest man in the world. You actually don't need more than the 40, though, for rehearsing, jamming, and small venues.One piece of advice: only purchase an amplifier—or any other instrument—if you can test it out and return it. If not for the fantastic return policy at my music store, I would have been stuck with the 200. The only expense I incurred was $18 to ship the Rumble 15 back to Amazon after trying five amps and returning three.October 2018 update: Since purchasing a Fender Rumble Studio 40 in the spring, this amp has become my go-to. Excellent sound (see my rating), and I adore the countless amp type and voice options.

Feature: This fender eliminator is compatible with the OEM turn signals and is meant to keep the factory license plate light from the Kawasaki Z650 and Ninja 650.

Material: A stainless steel bracket with a powder-coated finish that increases tensile strength and corrosion resistance while also ensuring superior performance and a longer lifespan.

Using the Fender Eliminator, you can clean up your bike and get rid of that huge, unwieldy OEM fender while also improving how you ride.

Fender Eliminator, four screw caps, and two gaskets are all included in the package for simple installation.

Fit: Created for the KAWASAKI Z 650 and KAWASAKI NINJA 650 models from 2017 to 2019.#

This fender remover is fantastic! It is virtually identical to the well-known vagabond one and costs less than one-third of the price. Just wish the installation instructions were included. Just watch it since it's the same thing since there is a nice video on YouTube for the install of the vagabond one. strongly advise. uses the standard signals and license plate light, and holds firmly.

includes two 3/8" x 5' fender lines and two 6. 5" x 22" BoatTector fenders.

Molded eyelets with reinforcements enhance durability and sturdiness.

resistant to chemicals and UV stabilization

equipped with a needle valve that allows each fender to be inflated or deflated to the required pressure (needle valve pump not included)

two years only#

These bumpers are really well crafted and perform a terrific job. This weekend, we docked up to a friend's ski boat with a 24' pontoon boat, and they did a fantastic job of shielding both of our boats from the waves caused by the heavy boat traffic over the holiday weekend. I would not hesitate to order them again if something were to ever happen to them. They arrived really fast and were less expensive than what I saw at Walmart and the neighborhood marina. They also include high-quality ropes, so that was an added benefit! Purchase them; you'll be happy you did.

Molded eyelets with reinforcements enhance durability and sturdiness.

equipped with a needle valve that allows each fender to be inflated or deflated to the required pressure (needle valve pump not included)

resistant to chemicals and UV stabilization

includes two 3/8" x 5' fender lines and two 6" x 22" BoatTector fenders.

two years only#

These bumpers are really well crafted and perform a terrific job. This weekend, we docked up to a friend's ski boat with a 24' pontoon boat, and they did a fantastic job of shielding both of our boats from the waves caused by the heavy boat traffic over the holiday weekend. I would not hesitate to order them again if something were to ever happen to them. They arrived really fast and were less expensive than what I saw at Walmart and the neighborhood marina. They also include high-quality ropes, so that was an added benefit! Purchase them; you'll be happy you did.

American-made since 2039

Included are long body mounts that accommodate rally car bodies.

Totally adjustable body mounts allow a nearly perfect fit with any body.

made of incredibly durable nylon

new screw on body mounting system ( Secure-Lock Cap )#

Although I am aware that they were designed for a slash, when I first saw them, I wondered whether I might adapt them to work on my CC-01. I searched everywhere for any stock components for the CC-01 so I could use some of my other bodies with this rig, but I was unable. It appeared that nobody had any. So I purchased these to see if I could modify them to function. And figuring anything out wasn't that difficult. Then, after assembling them, drill a hole through their bottoms so that it aligns with the mounting holes on the CC01 chassis. To make the body to sit like I wanted it to, I did had to remove approximately 3/4 of an inch from the bottom of both, but it still turned out beautiful. I hope this is useful to anyone trying something new.

Construction made of injection-molded poly won't rust or corrode.

robust and tolerant

Polymer is a lightweight substance.

Ribs that are completely formed for increased strength and spray reduction#

When delivered, fenders were tied together and wrapped in plastic. The fenders fit as promised, and there was no shipping damage. Installation takes some time to ensure proper front-to-back spacing and adequate space at the tire for the airbags to deflate.

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The old metal skirt on older Harley FLTs may be replaced with this Fender skirt, which costs half as much as the Harley part. It must curve out there to match the fender, although I've read comments about the dimples in the side ribs. You should spend $40 on the Harley one if that's a concern. To dress it up, I added some Willie G medallions that I already owned. The majority of folks won't realize it's fake. At the end of the day, it is only a chrome mud flap and isn't the main attraction; rather, it is a supplementary ornament.

You may quickly and easily adjust the location of your pontoon's fenders to meet any dock height.

eliminates the headache of having to tie and untie fender lines from your rails all the time.

Quickly attaches and separates, high-impact polyethylene is scratch- and stain-resistant.

Fits 1.25-inch square pontoon rails snugly

Secures up to 3/8" BoatTector fender lines.#

These initially seemed too small to latch onto the one and a quarter inch rails on my Bennington pontoon boat. However, I pressed them onto pieces of 1 and 1/4 inch wood trim stock after microwaving them for 40 seconds. The following day, they effortlessly slid into the boat rails with the ideal clamp load to keep them there and secure my boat fenders.